the USA. Her performances and recordings, often with her band The Soul Making, combine poetry with with jazz, funk and hip hop.
What does it take to recreate past worlds? How does a writer uncover the reality she needs to blend with imagination? Where do research and writing intersect?
We talk to two writers who’ve spent years researching and writing novels about the lives of real women from the past: Hannah Kent and Kate Mildenhall.
Hannah Kent’s first novel, Burial Rites, was an international bestseller and has been translated into 28 languages. It won the ABIA Literary Fiction Book of the Year, the Indie Awards Debut Fiction Book of the Year and the Victorian Premier’s People’s Choice Award, and was shortlisted for the International IMPAC Dublin Literary Award and the Bailey’s Prize.
Her second novel, The Good People, is just out in Australia and New Zealand will be published in 2017 in the UK, Ireland and North America.
Hannah is also the co-founder and publishing director of Australian literary journal, Kill Your Darlings.
Kate Mildenhall is a teacher and writer – she has taught in schools and universities, and worked at the State Library of Victoria, creating web content for students and teachers.
Kate is studying Professional Writing and Editing at RMIT University.
Her first novel, Skylarking, has just been published.
Burial Rites and The Good People are published by Picador (Macmillan) in Australia, New Zealand, the UK and Ireland, and Little, Brown in the US. Skylarking is published by Black Inc in Australia and New Zealand, and will be published by Legend Press in the UK in 2017.
In case you missed it, here’s our guest post on Aerogramme Writers’ Studio on how to interview writers – or how to be interviewed, if you are a writer. It explains what we do, or try to do, when we interview writers for Unladylike, or at literary events.
First: prepare. Read as many of the other writers’ books, stories, scripts, poems as you can. Read them like a writer – look for themes not evident at first glance, technique, structure, characterisation, world-building, language. Read or watch interviews with them, and check their blog posts and social media to see what interests them, how they respond, which questions they’ve answered a million times.
How did you rebel? We talk to two writers of fiction and creative nonfiction about the role of rebellion in creativity, and the writers’ life.
Born in Russia, Lee Kofman is the author of five books. She has published three novels in Hebrew, and her first book in English was The Dangerous Bride, a memoir about non-monogamy and migration.
Lee has also published numerous short stories, short creative non-fiction and poetry, and her writing has won various awards. She teaches writing and mentors writers.
Lee is the co-editor (with Maria Katsonis) of a new anthology of memoir called Rebellious Daughters. One of the contributors to Rebellious Daughters is Silvia Kwon.
Silvia was born in Seoul, South Korea. She migrated to Australia at the age of nine and grew up in Perth. After studying art history at the University of Western Australia, she worked in community arts before deciding to move to Melbourne to pursue a career in publishing. She has worked at Oxford University Press and Black Inc.
Her first novel, The Return, was published in 2014.
Rebellious Daughters is published by Ventura Press.
Who chooses the writers we see at writers festivals, and how do they decide? Do they create their programs with gender and diversity in mind?
We talk to the women behind the legendary Auckland and Melbourne Writers Festivals, the North Texas Teen Book Festival, and Australia’s new Feminist Writers Festival.
In May each year, the Auckland Writers Festival stages over 120 public events, gathering together 160 of the best writers and thinkers from New Zealand and across the world, with over 22,000 festival goers and more than 5,000 young readers.
Director Anne O’Brien has been with the Festival since 2011. A trained journalist, Anne has worked on the legendary radio show ‘Nine To Noon with Kim Hill’ and with Women in Film and Television.
Rose Brock is a librarian and academic, and one of the founders of the hugely successful North Texas Teen Book Festival. It’s a free, one-day event featuring over 70 writers for young adult and middle grade readers talking with each other and 6,000 fans about books. It also includes a workshop day for teachers and librarians.
We spoke to Anne and Rose on site during their festivals (hence the audible excitement in the background!).
Then we brought committee members from the recently announced Feminist Writers Festival and the director of the Melbourne Writers Festival into the studio to talk with us about their processes and decision-making.
The Melbourne Writers Festival (MWF) is an annual, two-week celebration for writers, readers and thinkers, held in August. It includes events for people of all ages and its Schools’ Program is Australia’s biggest literary festival for students. Last year over 56,000 people attended the festival – its biggest year ever, after thirty years of festivals.
Lisa Dempster is the Director of the Festival, and prior to that was with the Emerging Writers Festival, and worked as a writer, editor and small press publisher.
Joining us from the Feminist Writers Festival are Veronica Sullivan and Stephanie Convery.
Veronica is Prize Manager of the Stella Prize. She is a 2016 Wheeler Centre Hot Desk Fellow, and was one of Melbourne Writers Festival’s 30 Writers Under 30 in 2015.
Stephanie is the festival’s Sponsorship Manager, and is a writer and the deputy editor of Overland. She was recently appointed as the deputy culture editor at The Guardian.
What do writers actually do?
We talk to two acclaimed writers of fiction about their process: where do they start, what do they think about, how does it feel, what on earth do they do all day?
Between them, Charlotte Wood and Paddy O’Reilly have published more than a dozen books and countless short stories, essays and articles, and have survived to laugh about it. They both think deeply about the work of writing, teach or mentor emerging writers, and share their experiences with us on Unladylike.
(If you’re on a mobile device, use iTunes, Audioboom, Stitcher or your favourite podcast app.)
Charlotte Wood is the author of five novels and two books of non-fiction, as well as essays and features – often about food, nature, or writing.
Her latest novel is The Natural Way of Things, a parable of hard-won friendship in a nightmarish prison farm for women. It won the 2016 Stella Prize, the Indie Book of the Year and Novel of the Year, and has been shortlisted for the Miles Franklin Award.
Her next book is The Writer’s Room, a selection of interviews with Australian authors.
Paddy O’Reilly is the author of three novels, a novella, screenplays, and two award-winning collections of short stories, including her recent collection, Peripheral Vision. She is the editor of a series of memoir collections, beginning with It Happened in a Holden.
Her latest novel, The Wonders, is the story of three people whose bodies have been artificially altered, and who become global superstars. It won the Norma K Hemming award and was nominated for the Kirkus Prize.
Here are some of the writers’ tools Paddy and Charlotte mentioned:
Charlotte Wood’s The Natural Way of Things is published by Allen & Unwin in the UK, Australia and New Zealand and Europa Editions in the US. The Writer’s Room will be published by Allen & Unwin in August 2016.
Paddy O’Reilly’s Peripheral Vision is published by University of Queensland Press, and The Wonders by Affirm Press in Australia and New Zealand. Her comic novel The Fine Colour of Rust was published by HarperCollins in the UK and Australia. Both were published in the US by Simon & Schuster.