26. On characters

We talk to two long time friends, Sarah Dollard and Lili Wilkinson, on how they approach writing character for the screen and on the page. We hear them discuss how they met, their approach to writing characters (even if they’re not human), and what makes for a great hero or villain.

Listen here

Our guests

Sarah

Sarah Dollard began her screenwriting career on Neighbours. Her career since then has seen her work on iconic series such as The Saddle Club Merlin, Primeval, Being Human,.and Doctor Who, She created and wrote her own rom-com series Cara Fi (in Welsh with English subtitles). She has worked on TV adaptations of Frances Hardinge’s YA novel “Cuckoo Song” and Deborah Harkness’s A Discovery of Witches.

lili

Lili Wilkinson is the author of ten books, including Scatterheart, Pink and The Boundless Sublime. She established insideadog.com.au, the Inky Awards and the Inkys Creative Reading Prize in her years working at the Centre for Youth Literature, State Library of Victoria. Lili has a PhD in Creative Writing from the University of Melbourne, and now spends most of her time reading and writing books for teenagers. Her latest novel is After the Lights Go Out.

Our thanks to Michael for kindly allowing Unladylike to borrow his wonderful studio for the recording of this episode.

It’s a wrap – for now

Thanks for listening to Unladylike podcast.

With episode 20, we’ve come to the end of season 2. We’re taking a break over our summer holiday season (apologies to everyone in the northern hemisphere). But we’ll be back early next year.

First up in 2018: an international, interdisciplinary roundtable on academic writing, especially for all of us starting or resuming our studies or research.

So stay tuned.

And thanks again for all your support.

 

Image of stand-by message

One day soon on Unladylike

We’ve been plotting.

Now we have a few live episodes, they ought to keep you occupied for a day or two.

We’ll release a new one each month – or more often if we get a bit excited.

Here’s what we have in mind for a few future episodes of Unladylike.

Image of recording studio

On translation
Ann Goldstein on the art and science of translation, and her work on the novels of Elena Ferrante.

On festivals
Do writers festivals create programs with gender and diversity in mind? We talk to women making decisions for festivals in the US, New Zealand and Australia.

On labels
Anita Heiss and Jessica Walton on perceptions, constraints, representation and freedoms.

On heroines
Malinda Lo and Rebecca Lim on creating kick-ass protagonists.

On process
Charlotte Wood and Paddy O’Reilly on dreaming, plotting (or not), drafting and redrafting.

On rebellion
Lee Kofman, Silvia Kwon and Maria Katsonis are possibly not such dutiful daughters.

That’s the plan for the next little while. We’ve already recorded some of these, but others are in the calendar-juggling phase. It might turn out differently. Certainly themes can change or emerge when we get into the studio and start talking.

But we want you to know how we’re thinking and what might lie ahead.

Coming up

Very soon, on Unladylike podcast, you can hear our first few episodes.

And they are stonkers*, if we do say so ourselves.

#1 On story

Vivian Gornick and Sian Prior, both journalists and memoir writers, in conversation about memory, imagination and language.

#2 On friendship

Fiona Wood, Simmone Howell and Cath Crowley talk about portraying friendship in writing for young adults, and their own collaborations.

#3 On editing

Historian Clare Wright and editor Mandy Brett on the process of creating an award-winning bestseller.

#4 On romance

Tessa Dare on romance fiction as a feminist genre, and why readers are in love with love.

#5 On swearing

Novelist Toni Jordan and playwright Patricia Cornelius on the power of purple language.

 

And after that? You just wait.

 

* stonker

noun BRITISH informal plural noun: stonkers

  1. something which is very large or impressive of its kind.

    (Oxford Dictionary, Oxford University Press)