It’s a wrap – for now

Thanks for listening to Unladylike podcast.

With episode 20, we’ve come to the end of season 2. We’re taking a break over our summer holiday season (apologies to everyone in the northern hemisphere). But we’ll be back early next year.

First up in 2018: an international, interdisciplinary roundtable on academic writing, especially for all of us starting or resuming our studies or research.

So stay tuned.

And thanks again for all your support.

 

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20. On kissing

What makes a great ‘kissing book’? We talk to Anna Campbell and Kylie Scott, two leading writers of romance novels, about spirited heroines, suspense, banter, intellectual equality, drama, subtext, laughter, sexual tension, feminism, tropes, and happy endings.

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Our guests

Kylie Scott

Kylie Scott is a New York Times and USA Today best-selling author. She was twice voted Australian Romance Writer of the year by the Australian Romance Writer’s Association, writes across different genres, and her books have been translated into eleven different languages.

Her books include the Flesh, Stage Dive and Dive Bar series, the YA romance Trust, and novellas including Colonist’s Wife and the upcoming 1001 Dark Nights.

 

 

Photo by Robyn Hills 

Anna Campbell is an award-winning writer of Regency romance. Her books, series, and novellas have been published in twenty countries.

Anna’s first novel, Claiming the Courtesan, was the Romance Writers of Australia Romantic Book of the Year. Since then, her books have gone onto win many awards from the Golden Quill to the RITA Award. Her latest is The Christmas Stranger.

19. On illustrations

This week, we talk to Judy Horacek and Gabrielle Wang, two living legends, about writing and illustrating books – and their many other forms of creative work.

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Book cover Random LifeOur guests

Judy Horacek is a cartoonist, writer, artist and illustrator, perhaps equally famous – depending how old you are – for her incisive cartoons or picture books such as The Story of Growl and the beloved Where is the Green Sheep? – a collaboration with Mem Fox which was the Children’s Book Council Book of the Year. Her cartoons have appeared on almost every feminist fridge door in Australia, and also in The Age, The Weekend Australian magazine, and The Australian Book Review – as well as the Treasures gallery in the National Library.

Her latest collection, Random Life, is out now.

Book cover Beast of Hushing WoodGabrielle Wang is an author and illustrator. Her many books for younger readers include The Wishbird, Little Paradise, The Pearl of Tiger Bay, and the Our Australian Girl: Poppy and Pearlie series. The Race for the Chinese Zodiac was presented on stage with animation, storytelling and an original score played on traditional Chinese instruments performed live by the Australian Chinese Music Ensemble. She has won Aurealis Awards, been shortlisted for Premiers’ and Prime Minister’s awards, and is a regular on the Children’s Book Council notable books lists. Her latest novel  is The Beast of Hushing Wood.

18. On voices

We talk to two spoken word performers, Lian Low and Eleanor Jackson, about writing for the page and for performance, and how they support other writers – especially through Asian-Australian arts and culture magazine, Peril.

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Our guestsEleanor Jackson

Eleanor Jackson is a Filipino Australian poet, performer, arts producer and radio broadcaster. She is chair of the board of Peril Magazine and its former editor in chief, and is also a board member of the Stella Prize, Australia’s largest writing prize for women.

Her poetry is published in Overland Journal, Arc Poetry Magazine, Going Down Swinging, Peril Magazine, Scum Magazine and the Cordite Poetry Review, FBI’s “All the Best“, RRR’s “Aural Text”, 3CR’s “Spoken Word”, ABC Radio National’s “Night Air” and the online poetry channel, “IndieFeed: Performance Poetry”.

Her radio play, Agent Ion, was featured as a part of Radiotonic for ABC Radio National, and her short fiction, The Transfer, appeared in Review of Australian Fiction.

In 2014-2015, she was Artist in Residence at La Boite Theatre in Brisbane.

Here’s Eleanor performing  ‘Shave and a Haircut’, one of the pieces she mentions in our conversation.

Lian Low is a writer, editor and spoken word artist.Lian Low

She is a former chair of the board, and editor-in-chief, of Peril.

Lian worked on the performance text for the sold-out Do you speak Chinese? which was part of the Dance Massive program, held at the Malthouse Theatre in 2015.  

Her work has been published in When Our Children Come Out: How to Support Gay, Lesbian, Bisexual and Transgender Young People, Growing Up Asian in Australia, ArtsHub, Kill Your Darlings, Chart Collective and various queer street press.

In 2013 and 2014 she was a festival artist at the Melaka Art and Performance Festival in Malaysia, one of the world’s largest site-specific art and performance festivals held on a UNESCO World Heritage site. 

Watch some of Lian’s community performance work as part of Melaka here.

In 2014, she was a selected playwright for Lotus: Asian Australian Playwriting Melbourne program and for the Kultour Artists Gathering in Melbourne.

PS: Accidental interview background music was provided by a nearby choir practice, loud enough to penetrate our soundproof studio. Think of it as community engagement.

Missed us?

Oh look, we’ve been a bit hopeless lately, haven’t we?

We’re not lazy – far from it. Just very, very busy. So we’re moving to releasing episodes in short series, rather than on a specific week of the month.

We’ll be back soon with some shit-hot new episodes of Unladylike, underway now.

You’ll hear from us soon. Stay tuned.

 

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17. On forms

Between them, this episode’s guests have written award-winning opera, plays, poetry, young adult and children’s novels, essays, columns, and goodness knows how many grant applications and submissions to government.

So we asked them about writing across so many different forms and genres.

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Our guestsJane Harrison

Jane Harrison is a descendant of the Muruwari people of NSW and an award-winning playwright. In 2002, her first play, Stolen, was the co-winner of the Kate Challis Award. It has since been performed across Australia as well as the UK, Hong Kong and Japan. Rainbow’s End toured to Japan and played in 33 venues throughout Australia, and won the Drover’s Award for Tour of the Year in 2011.

Jane’s essays include ‘My Journey Through Stolen’, the award-winning ‘Healing our communities, healing ourselves’, and ‘Indig-curious; who can play Aboriginal roles?’
Her young adult novel Becoming Kirrali Lewis was published by Magabala Books in 2015. Jane was director of last year’s Blak and Bright literary festival. 

Apart from the many projects and forms she discusses in this episode, Jane is also working on a stage adaptation of her story from the anthology Writing Black, and turning a play (The Visitors) into a film.

Alison CroggonAlison Croggon is a poet, critic, opera librettist, playwright and bestselling author. Her beloved Pellinor novels have sold half a million copies around the world. Her young adult novel Black Spring was shortlisted for the NSW Premier’s Literary Award, while The River and the Book won the Wilderness Society’s environmental writing prize.

Her poetry collections include This is the Stone, Ash, The Blue Gate and Theatre. Her opera libretti include Mayakovsky, Flood, and The Riders, which won two Green Room awards. She is one of Australia’s leading theatre critics and a columnist for Overland journal. And she has just launched her new self-published collaborative project, Fleshers.

Her New and Selected Poems has just been published.

16. On teaching

We talk to three writers who teach, and ask them about the ways we learn and teach writing – in community organisations, schools, colleges and universities – and the skills and knowledge writers need.

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Our guests

Penni Russon

Penni Russon writes literary fiction for children and teenagers, and her books include the award-winning Only Ever Always. She teaches creative writing at the University of Melbourne, having studied Children’s Literature at Monash University and then Professional Writing and Editing at RMIT. She has been blogging since 2006 and has recently been involved in a creative partnership with Storybird and a research project with Orygen Youth Mental Health and Headspace.

Alexis Drevikovsky

Alexis Drevikovsky is a writer and the General Manager of Writers Victoria – a major statewide writers’ centre which offers an extensive learning program. She has taught English to Mexican children, and her own writing has been published in The Age, Killings and Australian Love Stories. Alexis is currently working on a memoir.

Alison Ravenscroft

Dr Alison Ravenscroft was part of the legendary Australian feminist publishing cooperative, Sybylla Press. She now teaches in English at La Trobe University, and supervises a number of postgraduate students working on creative and critical projects. Her own fiction and academic writing has been widely published in journals and in edited collections, and her short story ‘Object Lessons’ won the Josephine Ulrich Literature Award. Her 2016 book The Postcolonial Eye considers the ways we read, see and understand race and desire.

This episode was recorded in a meeting room in a beautiful local library, where we were surrounded by young learners in homework club and older learners and readers in informal groups and classes. Perfect. If a little noisy.

Disclosure: Co-host Kelly Gardiner also teaches at La Trobe University and is a tutor at Writers Victoria.

Professor Helen C. White demonstrates how to dress for a creative writing class (University of Wisconsin, 1954)

Image sources:

University of Wisconsin Archives via Wikimedia Commons, pennirusson.com, Writers Victoria, La Trobe University